
just like every other movie blog, only awesome.


I admit that I do not like Edward Norton or Naomi Watts as a general rule.
As someone I know recently put it so well “they seem weak.”
But I guess that is why it is called acting. Because, not very long into “The Painted Veil,” I began to identify so strongly with each of their characters that it did not occur to me to question anything that they said or did. Each of them won me over to his/her side. (I do not know what all these recent award panels are thinking as this film has received one nomination -- for best score – thus far.) And it was not long before I started weeping for them both.
The locations in China are breathtaking and the script delves into philosophy, politics and personal experience in a surprisingly seamless and economical way. By the way, the musical score IS wonderful. Liev Schrieber, as a villain here, see review of the Omen,) is just right.
This is an epic and unforgettable film. It is not a “chick flick.” It is an “everyone who is human flick,”


Jennifer Aniston
I usually don’t like any movie with Jennifer Aniston in it.
She is being forced upon us by a tone deaf movie industry that thinks we will flock to see her in droves because we loved “Friends.” Don’t they know that it usually works in the just the opposite way? She was always right on target in “Friends,” funny and just a bit behind the curve. Her performance in “The Good Girl” was quietly riveting, but since then, her movie performances have been cringe inducing – that is until “Friends with Money.” When she relaxes her face and allows us to see inside-- which is what movie acting is all about -- we can see an abiding and wistful sadness. It is as if she was hurt early in her life and has that etched forever on her face.
She should not “stretch” and pretend to be rich and carefree or vapid or even very successful. She will take her place as a great movie actor when she realizes her greatest gift – the ability to convey that wonderful, rueful knowledge that she never knows quite what she is doing and that things will probably end badly but life does go on in unexpected ways. Her character, Olivia, in “Friends With Money” conveys this knowledge and makes this movie memorable.
I wanted to like this remake because I loved the original “Omen” and all its sequels. But the latest version manages to completely miss the central love story between husband and wife so vividly portrayed by Gregory Peck and Lee Remick that made the original screenplay so credible. The audience must believe that the United States Ambassador to England so adores his wife that he would be willing to kill his own adopted son – not because the son is the devil and a threat to humanity but because the son is going to kill the wife he cannot live without. Liev Shreiber and Julia Stiles are pasty, bland and unconvincing in the roles of a married couple who are in love with each other. And, though Mia Farrow is extraordinary in the role of the Nanny from hell (literally), the rest of this movie is just window dressing. See the original. It holds up to this day.
